With this in mind, The Brighton Writer invites you to take another peep behind his involvement in the process along with the extremely talented artists, Emilie Majarian and Collette Tarbuck.
Having interviewed the main drag artists David Raven, aka Maisie Trollette Dave Lynn and Stephen Richards aka Lola Lasagne (see previous blog) The Brighton Writer set about interviewing other key players who would become part of the projects storyline.
As HIV and AIDS has had such a devastating effect on many of those within the LGBT community, The Brighton writer felt it important to include this era within the storyline. With this in mind, The Brighton writer got in touch with local artist/sculpture, Romany Mark Bruce, James Ledward (Gscene) and Paul Elgood (Rainbow Fund); who collectively enabled the development and construction of Brighton’s AIDS memorial. From their feedback The Brighton writer was able to find out that the AIDS memorial project faced a fair few hurdles, including protests that fundraising for the project would take away funds from other local HIV health care. This issue was quickly resolved by Paul Elgood and James Ledward’s reassurance that all fundraising for the AIDS memorial would be raised through individual and business private backers.) Romany also worked for two years on the project free of charge, allowing all funds raised to go towards the completion of the AIDS memorial project.
One of the other major problems Romany faced was having the 11ft clay structure collapse while he was working on it, forcing him to begin the project all over again. This storyline gave The Brighton Writer the perfect opportunity to combine the ‘Brighton Angels’ alongside Romany’s journey in the construction and unveiling of the AIDS memorial By David Furnish.
The middle section of my storyline was used as a vehicle to not only to introduce some of the other well-known faces from the Brighton scene but also allowing me to promote some of the LGBT projects they have been involved in. The main bases of the storyline was to introduce James Ledward and The Golden Handbag Awards; a project that give the LGBT community an opportunity to celebrate individuals and groups achievements from the previous 12 months. Within the storyline I also included Stephanie Starlet, who had led the march for Stomp out Stigma campaign, as part of LGBT mental health group, MindOut. Unfortunately this piece of information hit the editing floor, so I have included it here.
The other well-known face on the scene I included was Ant Howells; partly for his longstanding involvement with the Sussex Beacon fundraising/social group, Bear-Patrol, as well as his involvement with HIV groups like Act-Up who were an extremely important campaign group who helped bring the plight of those living with HIV/dying from AIDS.
Jason Sutton aka Miss Jason and Poo-la-May also appear allowing me to mention one of Brighton’s oldest and perhaps most infamous gay pubs, The Bulldog and Club Revenge; both venues would be instrumental in development of the Gay Village in Brighton as we know it today.
The final story from the trilogy tells the story of Brighton’s Hankie Quilt Project. At the time of researching varies ideas for the final tale, I was introduced to Maurice Mchale Parry, who along with Peter Moxom, revived the idea of the the Names Quilt Project, through the Hankie Quilt Project, inspired by the 25th anniversary of the Names Quilt Project. Both projects have great strength in their simplicity by inviting people who had lost friends, loveres, family members to AIDS, to sew their name onto a piece of fabric, which in turn made up a quilt of many names, memories and love.
The piece couldn’t be finish without a mention of Brighton’s Lesbian, Gay, Bisexual, Trans, Pride. From a few of us gathering in Queens Park to protest about the Consecrative Parties legislation, Clause 28, which effectively stopped school teachers discussing homosexuality with their pupils, leaving many young LGBTQ people unsure about how they were feeling, and without any knowledge of who to turn to for help. Since then, Brighton Pride has become an extremely important date in many LGBTQ people’s diaries, not only as time to celebrate, but to also remember their are still many counties whose anti-LGBTQ laws are causing misery and oppression and that will always be the main driving force for the visibility of Brighton Pride as we all protest and celebrate and party on down for future generations to come who will in turn leave their own mark and become part of Brighton’s unique history. The final panel had originally been designed with a host of volunteer groups from the LGBT community being represented. It was with regret that this grand scene was also to hit the editing floor, but the prominence of the AIDS quilt, the main players and one of Brighton’s most iconic tourists attractions, The Royal Pavilion helped frame this important slice of Brighton’s history.
One more thing, check out the brilliant animation from Angie Thomas, who has brought the whole project to life.